Archive for March, 2008

My HERO

Sunday, March 30th, 2008

The man who made lists to fend off depression

By Arthur Spiegelman

Fri Mar 28, 8:48 AM ET

His mother suffered dark depressions and tried to dominate his life. His sister and daughter had severe mental problems, his father and wife died young and a beloved uncle committed suicide in his arms.

So what did Peter Mark Roget, the creator of Roget’s Thesaurus, do to handle all the pain, grief, sorrow, affliction, woe, bitterness, unhappiness and misery in a life that lasted over 90 years?

He made lists.

The 19th century British scientist made lists of words, creating synonyms for all occasions that ultimately helped make life easier for term paper writers, crossword puzzle lovers and anyone looking for the answer to the age-old question: “What’s another word for …”

And according to a new biography, making his lists saved Roget’s life and by keeping him from succumbing to the depression and misery of those around him.

“As a boy he stumbled upon a remarkable discovery — that compiling lists of words could provide solace, no matter what misfortunes may befall him,” says Joshua Kendall author of the just published “The Man Who Made Lists” (Putnam, $25.95), a study of Roget’s life (1779 to 1869) based on diaries, letters and even an autobiography composed of lists.

Kendall, in a recent interview, said Roget cared more for words than people and that making lists on the scale that he did was obsessive-compulsive behavior that helped him fend off the demons that terrorized his distinguished British family.

Madness was a regular guest in Roget’s home, Kendall said. One of his grandmothers either had schizophrenia or severe depression, Roget’s mother lapsed into paranoia, often accusing the servants of plotting against her. Both his sister and his daughter suffered depression and mental problems.

Then there was the case of Roget’s uncle, British member of Parliament Sir Samuel Romilly, known for his opposition to the slave trade and for his support of civil liberties. He slit his own throat while Roget tried to get the razor out of his hands.

Unlike a Thesaurus, no one understood Uncle Sam’s last words: “My dear….I wish…”

Indeed, to quote most of the Thesaurus listing for pain, Roget’s was a life filled with grief, pain, suffering, distress, affliction, woe, bitterness, heartache, unhappiness, infelicity and misery.

NOT WHOLLY EVIL

Kendall said, “The lists gave him an alternative world to which to repair.” Many writers have declared their debt to Roget, including Peter Pan’s creator, J.M. Barrie. In homage, he put a copy of the Thesaurus in Captain Hook’s cabin so he could declare: “The man is not wholly evil — he has a Thesaurus in his cabin.

The 20th century poet Sylvia Plath called herself “Roget’s Strumpet” to pay respects for all the word choices he gave her.

But the British journalist Simon Winchester holds Roget responsible for helping to dumb down Western culture because his work allows a writer to look it up rather than think it out.

Roget made his first attempt at a Thesaurus at age 26 but put aside the effort and did not publish his book until 1852 when he was in his 70s and retired. He then kept busy with it for the rest of his life.

It became an instant hit in Britain but did not sell that well when an American edition was published two years later. But when Americans went crazy for crossword puzzles in the 1920s, the Thesaurus assumed its place on reference shelves.

Kendall’s book is written in a style that he calls “narrative non-fiction” which contains a lot of dialogue and descriptions of how Roget and his friends feel and think, all, he says, based on source material.

“I did a lot of work to stitch together a narrative,” he said, adding that all the scenes in the book are based on actual events.

Monday, March 24th, 2008

News:
- I started reading for Open City and on my walk to the office last week I saw Paul Dano filming something.
- My first friend from college, Scott Waddell, added some great new paintings to his website. He famous.
- I have two cavities - one is underneath a filling that I’ve had since I was really little and my new insurance doesn’t pay for fillings.

Lydia Davis interviewed by Sarah Manguso:

BLVR: Ben Marcus also said of your stories: “There’s a nearly autistic failure to acknowledge the emotional heart of the matter, and a curious lack of interest in narrative scenes between characters.”

LD: I am simply not interested, at this point, in creating narrative scenes between characters. Maybe I’m shying away from a certain artificiality that I perceive to be present in many such scenes as written. Although, as soon as I say that, I think of other possible reactions to that perception of artificiality: how a writer like Jane Bowles, for instance, lets a certain acknowledged artificiality be an effective part of those narrative scenes between characters.

BLVR: What’s artificial about those scenes? How are they more artificial than the rest of a story?

LD: We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don’t usually serve us up whole scenes complete with dialogue. So I suppose I’m saying that I like to work from what a character is likely to remember, from a more interior place.

(I will spare you the next question)

MOE

Wednesday, March 19th, 2008

“The quicker you come to New York, the faster you’re just like, ‘Fuck this,’” Ms. Tkacik said of fashion norms. “There are other exploits where I am more likely to succeed.” (She is currently writing a book on “the economy and its addiction to ‘demand creation.’”)

[NYO]

Monday, March 17th, 2008

Tell me about your outfits.
ELISA: The fur is Fendi, the hat is like a Rasta type of hat, and I don’t know where it is from, but it is a great hat.
EGLANTINA: My coat, it is vintage. I love getting dressed. It’s my favorite thing, getting dressed

ROD SMITH’S DEED

Sunday, March 16th, 2008

Lawrence Giffin

Political Topology in Contemporary North American Poetry:

Rod Smith’s «Deed»

“If the house is just poetry
we’re in trouble.”
— Rod Smith “The Good House”

So, why a poem? Because a poem can represent the subject’s symbolic position in its world, how it justifies its deeds in that world, and how, through arranging a speech that speaks only half-truths, it can discover the truth of that relation in spite of itself.

Why a house? Because one’s entrance into history occurs within a given frame, and that frame become a question for the freedom that work inaugurates.”

[Jacket Magazine]

A POEM

Sunday, March 16th, 2008
Dear My Vagina’s Feelings Are Hurt,
The smell is so bad that you have to walk around with your legs closed because you can smell it through your jeans. 
You knew when you went and took a piss in the morning that you should take a trip to the good old GYN and found out what the hell is going on because your vagina is your center. Always remember that. 
How many times have you went down on guy and his sack smelled a little tart? 
Did you brand that person as a stink ass? 
Like I told my girls at camp, you go in and out 40 times, count if it helps you. 
Try not to pee after this point. No one wants to smell or taste someone who just pissed. 
Your vagina is like luxury. 


This poem is appropriated from a now defunct advice column of Tionna Smalls

REGARDING HERZOG

Sunday, March 16th, 2008

I was looking for this: “I think that psychoanalysis is one of the great evils of civilization, even worse than the Spanish Inquisition,” he told me. “At least the Inquisition was about keeping something together. Analysis is only about taking a person apart. I would rather die than see an analyst.”

And I found this: His social life there, he reports, involves ”no limousines, attorneys, vitamins or pyramid energy schemes.”  ”The other day I invited Benicio del Toro to have a steak of monstrous size,” he said. ”He looked like a man who needed a big steak.”  

Lil’ Norton

Tuesday, March 4th, 2008

HY

Tuesday, March 4th, 2008


Hyenas in NYT